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October 21, 2004

Chicago Bauhaus & Beyond members were invited to Richard Wright's auction gallery along with others for a fantastic panel discussion and booksigning of the new book, Baldwin Kingery, Mid-century Modern in Chicago, 1947-1957. This book, by John Brunetti, was conceived by Kitty Baldwin Weese in order to document and share the experience of the successful downtown Chicago retailer. Located at Ohio Street and Michigan Avenue, Baldwin Kingrey operated as a design center offering imported modern European furniture at affordable prices. Chicago was a hotbed of ingenuity and scholarly applications to design, with many of the celebrated creators of the 20th century modern movement active here. This story is illustrated with many photos and well-researched text, through many interactions between designers, professors and students of schools including the New Bauhaus and the Institute of Design.

Panelists included John Brunetti, Kitty Baldwin Weese, Don Dimmet, Ben Weese, Marcia Weese, John Albergo, and Lisa Albergo, each with personal memories of how this business operated. The casual panel discussion reminded attendees of America's post-WWII optimism and the creativity which spawned from running a business in a true spirit of fun, which was a great recipe for success.



Panel discussion


Richard Wright and John Brunetti


Kitty Baldwin Weese



Joe Kunkel, CBB President, and Karen Lilly Mozer, Art Institute of Chicago, Architecture & Design Society President


Claire Warner, Wright Consignor Services Specialist, and Kitty Baldwin Weese

We are pleased to sell this interesting book, describing a truely unique Chicago experience!
Please send $45 (per book including shipping within the US) to:
Chicago Bauhaus & Beyond
Re: Book Order
P.O. Box 364
Flossmoor, IL 60422


October 6, 2004
Christie's Chicago hosted a fantastic event on Georg Jensen silver for Chicago Bauhaus and Beyond in their beautiful gallery in the landmark 2.8 million-square-foot highrise John Hancock Center, on the 38th floor overlooking Lake Michigan. Special thanks to CBB member Paula Kowalczyk of Christie's for hosting the event, and to Jennifer Pittman, Vice President and Specialist, Silver Department, for her excellent gallery talk, At the Forefront of Modernism: The Master Designers of Georg Jensen Silver, covering the history and importance of pieces on display.

The elegant setting and reception included private viewing highlights from the upcoming auction: 100 Years of Georg Jensen: Magnificent Silver from the Rowler Collection. Over 50 incredible items were on display from the collection of more than 500 pieces.

A genius of silver design in his own right, Georg Jensen had an uncanny ability to employ designers whose avant-garde creations propelled the firm to stylistic leadership throughout the 20th Century.


Joe Kunkel, CBB President, and Paula Kowalczyk,CBB member and Specialist at Christie's Chicago

Joe with Joan Gand, CBB co-founder and Vice President.


Jennifer Pittman, Vice President and Specialist, Silver Department, Christie's


Modernist sterling silver design by Henning Koppel ----

Georg Jensen silver cocktail set


CBB Logo Receives Recogntion!

Our logo, designed by CBB member Allen Porter, has received prestigious recognition in the LOGO 2004 competition, and will be included in the upcoming hardcover book, The Big Book of Logos 4, by David E. Carter. Our logo was selected from over 7000 entries from 37 states and 20 countries. Thank you, Allen!


IIT Tour and Archives

CBB hosted a tour of the Illinois Institute of Technology (IIT) campus on August 22, 2004, including an overview of their Archives from the New Bauhaus/Institute of Design. The guided tour was led by Justine Jentes (Director of Marketing) and Paul Millman (Director of Development) of the Mies van der Rohe Society (visit their website and join!). The lecture was led by University Archivist and CBB member, Catherine Bruck. We thank them for their generous hospitality and insightful information! What a wonderful tour we had!

Our afternoon included a guided detailed campus tour including the McCormick-Tribune Campus Center by Rem Koolhaas, State Street Village (new dorms) by Helmut Jahn, the Commons, Robert F. Carr Memorial Chapel of St. Savior, and S. R. Crown Hall all by Ludwig Mies van der Rohe.

Then we met in the Galvin Library/IIT Archives, where Catherine led a "show and tell" about the Institute of Design collection in the Archives. We enjoyed seeing and touching some of the many amazing and rare objects in the collection, including early photographs, original student projects, vintage publications, artwork and more, from the very early days of the New Bauhaus / Institute of Design.

The day ended with fellowship and a delicious dinner at Panang Restaurant in nearby Chinatown.

- click any photo for a larger view -


Mies & Goff Tour

Chicago Bauhaus and Beyond hosted a fantastic day of tours and social time together with members and guests on June 27, 2004! We toured two spectacular modernist 1950s houses: the Ford house by Bruce Goff, and the Farnsworth house by Mies van der Rohe. We are very grateful to the homeowner of the Ford house for allowing us to see this rare and captivating example of organic modernist architecture. We also thank the Landmarks Preservation Council of Illinois and the National Trust for saving the Farnsworth house and opening it to us and the public for guided tours. The chance to see, in one day, two amazing houses of completely different styles yet both within the realm of modernism was phenomenal. We also enjoyed lunch as a group and had fun socializing and sharing our interests in modern design and architecture. Below are some photos from our tours (click any photo for a larger view):


The News Sun newspaper article and interview with Gary Gand:

Modernism passion

Couple helps found appreciation society for once-popular design

STAFF WRITER

 

RIVERWOODS — Even Chicagoans who aren't up on their schools of architecture know a Modern design when they see it, even if they aren't quite sure what they're seeing.

Or, as Gary Gand of Riverwoods sums up Modernism, "So much of it is here, but people aren't aware of it."

For starters, there are the big two — the John Hancock Center and the Sears Tower, steel exterior-framed giants designed in the spirit of Ludwig Mies van der Rohe, the Modernist legend who coined the defining term "less is more."

There are also McCormick Place on the lakefront and Marina City on the Chicago River. Downtown commuters know the stoic Daley Center and Dirksen Federal Building, and travelers have passed through O'Hare's atrium-like United Airlines Terminal.

Closer to home, there's the Johnson Wax tower in Racine, which was designed by Frank Lloyd Wright in 1936. In Highland Park, the North Shore Sanitary District water tower on Cary Avenue has a Modern design that earned it a spot on the National Register of Historic Places.

Modern furniture

But Modernism is literally all around the Postwar American landscape, from the contoured furniture in our dens to the stainless-steel appliances in our kitchens to the pole lamps in our living rooms. In fact, suburban tract housing in general is defined as an example of Modernism.

Gand and his wife Joan are not only aficionados of Modern architecture and design, but they're looking to share that passion with the world. Along with Joe Kunkel of Olympia Fields, the Gands founded Chicago Bauhaus & Beyond, a non-profit organization devoted to examination, discussion and preservation of Modernist homes, furnishings and works of art.

Speaking from his Riverwoods home — itself a prime example of mid-20th century Modern architecture — Gand said he hopes CBB can, in part, become to Modernism what organizations like the Frank Lloyd Wright Building Conservancy became for aging Prairie Style homes.

"The Frank Lloyd Wright folks have built an awareness of the Wright homes, and they've saved them. Now, you can't touch one of those things, and they're going to be here forever," said Gand, who bemoans the "warped sense of time in America" that leads to teardowns rather than restorations.

"What happened was, we were bemoaning the fact that these great Modernist houses are being torn down — for a number of reasons, but the main reason is people don't know about them. (We) decided that if we can make people understand that (Modernism) has value, maybe attitudes can change and we can promote it rather than demote it."

The Gands have put their money where their mindset is. They've spent nearly two decades nurturing a 1955 Modern home designed by Keck & Keck, a firm founded by brothers who made their name designing a House of Tomorrow at the 1933 Century of Progress in Chicago.

"We bought it in '86 when we were looking for a tract mansion or a fixer-upper. We had lived in a fixer-upper in Northbrook for 10 years and there was nothing left to fix," Gand said. "As soon as we walked in and looked out the back, we said 'this is it.' Our Realtor about fell on the floor."

Modular rooms

The home sold itself with, among other things, its distinctively Modern floor-to-ceiling windows — all of which have a southern exposure, to create a "passive solar" heating benefit — and modular rooms. Just as Mies van der Rohe used cubes of glass and steel to design the Illinois Institute of Technology campus in the 1950s, the Kecks designed their homes as a series of 13 1/2-by-13 1/2-foot blueprint cubes.

This simplicity of design allowed the Gands to easily expand the home from its original 2,000 square feet to about 3,000 — simply by adding more cubes of floor space. But their devotion to Modernism also extended to the interior design, as reflected in their first furniture selection.

"Joan's mom had an Eames chair, which is a bent plywood chair (that) they call a potato-chip chair because it looks like a bunch of potato chips put together," he said. "We set it in the corner and it's been there ever since."

Over the next two decades, the Gands filled the house with classic examples of Modernism, as seen on the Web at www.jetsetmodern.com/keck. Included are "womb" chairs, "steering wheel" clocks and cone lamps — products of a design movement that saw its American heyday, Gand said, from the end of World War II until the Kennedy assassination.

While the fact that they founded an appreciation society is a testament to their willingness to popularize Modernism, the Gands might admit that there is one drawback to something becoming too well-known.

"At the time that we started collecting, it was harder to find," Gary Gand said. "But it was also a whole lot less expensive."

04/15/04

 


Chicago Modernism Show

Chicago Bauhaus and Beyond had a booth at the First Annual Chicago Modernism Show, April 2-4, 2004. We were delighted to inform hundreds of Modernists about our new group, and were excited at the reception we received. We more than doubled our membership that weekend!

Our logo, designed by Allen Porter, a former student at the Institute of Design and professional graphic artist, designer and teacher, was prominently displayed, along with six great photos of people and places related to Chicago-area 20th century modernism. The vintage photos were by Hedrich-Blessing and were obtained from the Chicago Historical Society. Included were photos of: Edward Dart's house (1952); the interior of the Fagan House by Keck & Keck, with interior design by Marianne Willish including a glass art screen by Archipenko (1948); Frances Higgins in her art glass studio (1953); a scale model of Bertrand Goldberg's Marina City (1960); an interior view of A. Quincy Jone's experimental modernist house in Research Village (1955); and an exterior view of Mies van der Rohe's Farnsworth House (1951).

We also featured a slideshow of more photos by Joe Kunkel, Joan and Gary Gand, and others, presented by John Champion. We sold T-shirts with our logo, signed up new members, grooved to vintage retro lounge tunes, and had a great time!


Allen Porter and Joe Kunkel


Pioneer Press Newspaper Article

In the news again! Chicago Bauhaus and Beyond was featured in the north suburban Pioneer Press newspapers on March 25, 2004. Below is a copy of the article:


Our Inaugural Meeting at the CAF

Our first event was graciously hosted by Bastiaan Bouma at the Chicago Architectural Foundation on February 8, 2004. Presenters included:

Joe Kunkel, owner of jetsetmodern.com, an online publisher and retailer of vintage 20th century design

Joan and Gary Gand, avid collectors of 20th century modern design and Italian glass

Allen Porter, former student of the New Bauhaus/Institute of Design and prominent graphic designer, photographer, and teacher.

Joan Gand & Joe Kunkel Allen Porter

Gand, Kunkel & Porter

Bastiaan Bouma & Joan Gand
Some of our founding members gather for our inaugural meeting.

Kunkel and the Gands presented an overview of the organization, and Porter described the Architectural Panel, a similar group which was active in Southern California in the 1960s. Porter also gave all attendees a copy of a 1937 issue of Printing Art Quarterly, (courtesy, Bennett Johnson/Chicago Art Deco Society) which includes a seminal article by Moholy-Nagy and a full copy of the first New Bauhaus catalog.

Attendees introduced themselves and described their interests in modernism. Most members stayed long after the program was completed, enjoying social interaction and brainstorming ideas for future events.

As the Gands say, “the mantra ‘Less is More’ may apply to modern design principles, but not to this group's passion for the acquisition and dissemination of information on all things modern.” Kunkel adds, "a new generation of enthusiasts is researching in libraries; traveling and seeking obscure facts; interviewing architects, designers and their clients; and getting together to celebrate this exciting period of creativity from our recent past."

For more details on this exciting new group, please contact: Joe Kunkel
joe@jetsetmodern.com   or (T) 312-371-0986


Copyright © 2004 Chicago Bauhaus and Beyond (www.chicagobauhausbeyond.org) and Joe Kunkel (joe@jetsetmodern.com). All rights reserved worldwide. This article and photos may not be reproduced, reprinted, reposted or rewritten without express permission in writing from the author, owner and publisher.